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ZAR Theatre (Wrocław)

“The Gospels of Childhood Triptych” CESAREAN SECTION. ESSAYS ON SUICIDE

04. 11. 2014 – Tuesday
6.45pm
Wytwórnia, ul. Łąkowa 29

phot. Ken Reynolds

About Christian Culture Festival

Christian Culture Festival was organized for the first time in 1997 on 10th Anniversary of the Logos Theatre. In a sense, it extends the idea of Christian Culture Weeks organized in Poland in 70s and 80s of the last century, which were to become counterpoise to lay media model promoted by the State. Lodz Christian Culture Days were organized in churches all around the city, so as to accommodate the artists, spectacles, exhibitions and projections.

One of such places was the John Paul lecture theatre in the vault of the Assumption of Holy Mother Church in Kościelna Street. This is where the Logos Theatre started, before it was moved to the church in Maria Skłodowska-Curie. It was this church that Archbishop Władysław Ziółek gave to the Lodz artists in 1993, and in which the Centre of Creative Communities’ of Lodz Archdiocese was appointed. It is here that the ‘logistic’ centre of the Festival is located, and where some of the Festival events take place.

Traditionally, the Festival takes place in November, on the first Sunday after All Soul’s Day. It usually lasts for two weeks, during which various event take place – spectacle premiers, other theatres come to Lodz, there are exhibitions of invited artists, performances of choirs and musicians, very often not to be seen anywhere else in Poland at any other time. The Festival programme is the result of the whole year’s work of rev. Waldemar Sondka, the Festival Director, who – using his contacts – invites artists who are interesting, out of the ordinary, noteworthy and creating art perhaps not always religious, but always searching and at the highest level. Care for the level of the Festival offers is a permanent rule, the Logos environment has always wished to provide the Lodz citizens with the possibility of contact with art deprived of parochialism, open to the man and as perfect formally as possible.

The Festival is not an activity that brings profit. Any entrance cards are issued as invitations that are free of charge, and the team of the Logos Theatre and all the people engaged in the Festival organization, act as volunteers. This does not mean that Christian Culture Festival costs nothing. On the contrary, to organize such a cultural event at appropriate level is always connected with costs. Rev. Waldemar Sondka deals with organizing means to secure the Festival events all year round. He manages to gain sponsors (without whom the Festival would not exist) and subsidies from institutions that deal with funding culture (without which the Festival could not develop). All that in order to realize the basic idea of the event that derived from the Lodz Christian Culture Days – to enable anyone who wishes and needs that, to live the Mystery through art. This idea assumes a free of charge participation in all the artistic events, which has been the case since the very beginning of the Festival until today, the only condition is that on the day of the Festival opening, one must queue as long as it takes to get invitations. The only limit to the number of invitations is the capacity of rooms in which the events are organized every day throughout the two weeks of the Festival.


 

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“Gospels of Childhood. The Triptych”

Part I Overture. Fragments on Intimations of Immortality from Recollections of Early Childhood
Part II Caesarean Section. Essays on Suicide
Part III Anhelli. The Calling

The Triptych performance is a culmination of the company’s more than 10 years of work with ancient sacred songs. It premiered in London at the Barbican Centre in 2009 and was presented in Los Angeles, Florence, San Francisco, Chicago, Sibiu in Romania, also in Wrocław, Legnica, Szczecin and Bydgoszcz in Poland. Separate parts of the opus were presented among others in Athens, Edinburgh, Madrid, Beograd, Budapest, Paris, Cairo, Seoul, New Delhi, Boston. With presentation of it Teatr ZAR was named Best New Music Theatre from the “Los Angeles Times” in 2009, and in October 2010 it was honoured with the Wrocław Theatre Price.

The Triptych is dedicated to those, who gave us life and those, who gave us the voice — to our teachers.

 

“Caesarean Section. Essays on Suicide”

Woman: Ditte Berkeley / Kamila Klamut
Man: Matej Matejka
And: Nini Julia Bang, Alessandro Curti, Jean Francois Favreau, Aleksandra Kotecka, Ewa Pasikowska, Orest Sharak, Tomasz Wierzbowski

Project leader: Jarosław Fret
Music collaboration: Marjana Sadowska
Collaboration on the movement score: Vivien Wood
Lighting: Jarosław Fret

We dedicate this performance to:
The Force of Gravitation
Our Throats
Wise Bridesmaids
Foolish Bridesmaids
All the Lukewarm
Zygmunt Duczyński

The title of the performance is a metaphor for suicidal compulsion and the involuntary force that pulls us back from the brink. It is about the potential of the necessary ability to prolong one’s breathing at the moment when one feels in the veins the pieces of glass that haven’t yet managed to reach the heart.

Caesarean Section’s musical structure was developed from a base of polyphonic Corsican songs, into which Bulgarian, Romanian, Icelandic and Chechen songs have been woven. It’s subtle power and energy owes a debt to composer Eric Satie and his discovery of the intensity that can be transmitted by each and every drop of sound. Through contact with and integration into this contemporary theatre piece the traditional musical material becomes transformed and taken on a new form, becoming seamlessly interwoven with intensive movement by the performers. ZAR also acknowledges the great literary influence of Aglaya Veteranyi on this work.

During the research process, members of ZAR made several trips to Corsica in search of new material for the emerging musical score. Their active participation in paschal liturgy in Tox near Bastia represented a pivotal moment. Therefore the climax of the performance is characterized by the liturgical music of Corsican confraternities. While the score’s basic “tectonics” are grounded in Corsican music, they have been interwoven by Blugarian cries, calls and incantations to enhance the musical dramaturgy.

The first special presentation of the project took place in May 2007 in Florence as part of the Fabbrica Europa festival, at the invitation of Roberto Bacci. The premiere of the performance was in December 2007 in the Grotowski Institute, Wrocław. Performace shown at the Fringe Festival in Edinburgh in August 2012 was presented with the prestigious Total Theatre Award in the category Physical/Visual Theatre and Herald Angel Award.

There is but one truly serious philosophical problem, and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy. All the rest, whether or not the world has three dimensions, whether the mind has nine or twelve categories, comes afterwards. These are games; one must first answer

[Albert Camus, The Myth of Sisyphus]